Tuesday, 20 December 2016

Photographers Research - Alec Soth

Alec Soth is an American photographer based in Minnesota, he was born in 1969. His photography is taken with a climatic feel with elements of folklore that hint at a story behind the image. He takes photographs of people that he meets, so for example, a few of these photographs are of people living by the Mississippi river.

In this photo, the man is lying with his head resting on a stone, he looks asleep although it's not very common for people to sleep outdoors, even less so on a rock because rocks are very uncomfortable. I think that this image is meant to show that he is dead because he doesn't look very peaceful and it is not a usual place to sleep. This image might be signifying how when we die, we go back to nature.

This photograph is of a woman, she is showing off her jumper as it has lots of bible quotes on it. Mississippi is part of the bible belt and it is a very important thing to a lot of people in America, people tend to be more religious than in England. In England, it has progressed a lot since religion was ingrained into society, for example, my parents were both brought up as Christians in the 1970s, however I was never brought up religious and I don't know anybody my age that regularly goes to church, it is much less important now than it was before. Although, in America it is still very ingrained into society, especially in less developed areas like Texas and Mississippi where they are less connected, a lot of older people won't have computers or smartphones and will probably depend on letters and landlines for communication.

This image shows a woman lying on a bed, she isn't wearing much clothing but she still seems comfortable with having her photograph taken like this. If you were in a place like England, it doesn't often get hot enough for people to dress like this, however in Mississippi it is hot quite a lot so people are more comfortable with having their photograph taken. If this was taken in England it might be seen as quite provocative, whereas in America this is quite normal. The woman is looking straight into the lens which might show that she has no shame or fear of this photograph and where it might go, most of his photographs are like this, he wants to show a realistic representation of life in Mississippi.

This photograph is of a man called Joseph in a Prison in Mississippi, he is wearing a top that says preacher man on it, this contrasts heavily with the tattoo he has and the location the photograph was taken in, he calls himself a preacher whilst he has a tear tattoo on his cheek, this shows contrast because a tear tattoo can signify somebody you've killed. Despite this, he calls himself a preacher, a preacher is somebody who preaches the importance of religion usually, religion usually tells people to be peaceful and kind, killing someone is the opposite of this and I think that Alec Soth wanted to show the juxtaposition of this.



Thursday, 8 December 2016

Shoot Four - Work Diary

In this shoot I went to Norwich to visit my grandparents, I took photographs out in Norwich near a church and in a garden

Aperture: 5.6
Shutter Speed: 1/125
ISO: 100
This is my best photograph, I think that it is framed really well, as it shows the head and shoulders of the subject, without cutting out too much. I also really like the location of the photograph as it looks very pretty and different from a lot of the photographs I already have. A majority of my photographs have a plainer background like just the sky. This is different because it has other people in it as well.

Aperture: 4.5
Shutter Speed: 1/80
ISO: 400
This is my worst photograph because of the lighting, the photograph is very dark and it means the subject looks quite hidden, in addition to this, the photograph isn't framed very well, it has a chair in the corner which just clutters the photograph in my opinion. I am not pleased with this photograph which is why I decided not to use it in my straight images.

Progression:
Overall, I think this shoot worked quite well, I was able to get some well shot photographs, however I don't think it worked as well as some of my other shoots so I may reshoot or try a different shoot. I think in future shoots I will probably focus on youth more than elderly people because I can experiment with more techniques in my future shoots.


Thursday, 1 December 2016

Photographers research - Gavin Watson

Gavin Watson was born in London in 1965. When he was fourteen he got his first camera and began to take photographs of his brother and his friends, at sixteen, he started working at Camera Press as a darkroom assistant. He continued to photograph his younger brother and their friends who were a group of skinheads. Skinheads had become associated with the right-wing extremism of political parties like the National Front in the 1970s, his photograph were published in the books Skins (1994) and Skins and Punks (2008).

This photograph shows a boy on a train smoking. We know that this photograph was taken quite a while ago as smoking on the London underground was banned in 1987 after the fire at Kings Cross. Furthermore, a majority of Watson's photographs were taken in the 1970s and 1980s. I really like this photograph because the other people in the photograph are facing away from the boy smoking, this could portray to us that none of the adults want to be associated with him. I also like the lighting in this photograph because it creates a lot of shadows on the boys face, which shows the dark and the light sides to him.

This photograph shows two young boys, they are standing in a position which makes them seem much older than they are, they are lent over looking down at something below them, the boy in the background looks quite angry at something and is standing with his hand on his hip, not many young children stand like this naturally, I think that they have probably learnt how to act from older siblings that are involved in the skin head like these kids are. I don't think that this photograph was staged, although the position doesn't look like a normal position for a child to be standing in, it looks like he is naturally standing that way, rather than him being told to stand like that.

This photograph shows a teenage girl leaning against a door, she has shaved her head but left the fringe which was a very popular hairstyle at the time. I really like this photograph because of the contrast between the black on the door and the white of the wall, Watson may have posed her like this to show how teenagers are seen, they are often seen as negative and are stereotyped as rebellious individuals, however it is often the case that rather than doing this to rebel, many teenagers dress differently as a form of expression, or simply because they like the style. Furthermore, she is wearing quite dark colours, which also shows her as rebellious and negative.

This photograph is very candid and it shows teenagers how they actually are, many of Watson's photographs show teenagers as rebellious and aggressive, however this photo shows the opposite to that, the model looks worried, possibly about how she looks. She is leaning against a wall and looking to the left, which shows us that there must be something or someone over there. 
People that like to be away from too many people tend to stand against walls and keep away from the centre of attention so it's possible that she feels uncomfortable and wants to home 


Tuesday, 22 November 2016

Mid-Project Evaluation

Mid-project evaluation  (MPE) 24/11/2017 ………

At the half way-point within the project you should review your progression, identifying the shoots from the series that worked well.  This is a time point where you can show any decisions that you wish to make that will focus your future research on your personal project in a particular area.  For example if you have worked on a combination of studio and location photography and decide that you location photographs are the strongest, you may decide to continue the subsequent shots with more emphasis on location based photography, alternatively you might decide to develop your studio techniques to a higher level in order to show progression. The length of this section should be 4 paragraphs maximum.   
·       Discuss what you intended to do as part of the project, has the idea changed?
·       What shoots were most successful?
·       What aspect of the work requires improvement (e.g. a shoot, a technique, etc.).

·       Where do you see the work progressing (identify future shoots that you would like to 

I have done 5 shoots so far, and of the 5 I think that my first shoot and my third shoot are the best, I think that they have worked best, of the two, one of them was taken on location and one of them was taken in the studio. The first shoot was of two of my friends in London during the summer. The third shoot was in the studio with a few friends from college, I took a photograph of them in a deadpan state, and another where they are smiling to show the contrast between the two. However I didn't do the correct lighting in the first six photographs, I didn't position the lights very well and the lights hit the subjects face which created a lot of shadows when there shouldn't be any, as I didn't look at my past shoot to compare before I took the shoot, I will need to recreate some of the photographs.

Personally, I think that the one in the studio worked best. My proposal at the beginning of the year was to do an investigation on the portrayal of age in the medium of photography. However, I would like to focus more on investigating the portrayal of youth and looking at stereotypes, the reason for this is that I don't think that my shoots of older people worked that well, in addition, it is difficult to get photographs of old people as I don't know many old people, I would likely end up with the same few people in every shoot looking at older people. I think it would be better to get more variety in my shoots by focusing on youth as I will have more models and more opportunities to take photographs.

At first I wanted to do a majority of my shoots on location, I still want to do this as I think it makes the photograph much more interesting, if I do all of my shoots in the studio, the background will be the same each time, although I will get more choice in techniques in the studio, I may do a few more shoots in the studio, but overall, the majority of my shoots will be on location, mostly in London, although a few may be in my hometown, Waltham Abbey. Focusing on youth will give me the opportunity to take photographs of other people my age whilst I'm out. 

I really like the deadpan style of photography that I did for my third shoot, so I may do that again for another one of my shoots, however next time I will do it on location, possibly on Brick Lane in London. I intend to go there in the next few weeks with a few friends so I will take photographs while I'm there.





Sunday, 30 October 2016

Photography Task List

Required by w/c 17th December

Illustrated Project Proposal - ....
Mindmap - ....
Definitions -....
Illustrated Discussion - ......
Image Bank - .......

Research Log - completed with at least ten
   No1 why picked..... 4 photos......evaluations....... influence....sum.....
   No2 why picked..... 4 photos..... evaluations....... influence....sum.....
   No3 why picked..... 4 photos..... evaluations....... influence....sum.....
   No4 why picked..... 4 photos..... evaluations....... influence....sum.....
   No5 why picked..... 4 photos..... evaluations....... influence....sum.....
   No6 why picked..... 4 photos..... evaluations....... influence....sum.....
   No7 why picked..... 4 photos..... evaluations....... influence....sum.....
   No8 why picked..... 4 photos..... evaluations....... influence....sum.....
   No9 why picked..... 4 photos..... evaluations....... influence....sum.....
   No10 why picked..... 4 photos..... evaluations....... influence....sum.....

3000 word Essay - complete Introduction... History..... 2 current practitioners..... Your work.......... future........ conclusion......... bibliography...

Connecting your work to others -one..two...three..four....five...

Contacts personal- one...two...three...four...five...six...seven...eight...nine...ten

Technique Pages - Sequencing...........  Animation........ Multiple Imagery ...... Blurring........ Slow Sync......... Light Writing............. Multiple Flash..............  Unsustainable position......... Multiple Exposure............. Minimum depth of field....

Techniques - Sequencing...........  Animation........ Multiple Imagery ...... Blurring........ Slow Sync......... Light Writing............. Multiple Flash..............  Unsustainable position......... Multiple Exposure............. Minimum depth of field.... Close-up..... Wide Angle.......

Straight prints - From your shoots at least THIRTY

Work diaries -  Sequencing...........  Animation........ Multiple Imagery ...... Blurring........ Slow Sync......... Light Writing............. Multiple Flash..............  Unsustainable position......... Multiple Exposure............. Minimum depth of field.... Personal project...... Personal project ....... Personal 
project ..... Personal Project......Personal project..... Personal project .....

Print Techniques - image within image.... image and text........ weaving... duotone....overlay....selective colour....repetition.....montage... framing......

Computer Experiments - 1...2...3....4...5....6.....7... 8......9.... 10....

Physical experiments - 1...2...3....4.....

Electronic portfolio...........  

Final pieces1..2..3..4..5..6..7..8..9..10..11..12..13..14..15..16..17..18..19..20.. 


Overall project evaluation - .........

Thursday, 20 October 2016

Shoot Three - Animated Gif










DSC_0725

Shoot Three - Work Diary

This shoot consists of 2 photographs of three boys and three girls, I wanted one of everyone deadpan, and one of everybody smiling. 
I was inspired by Thomas Ruff for this shoot, he does a deadpan style for all of his portraits, and although I like this style, I wanted to see the contrast between both deadpan and smiling for my shoot.
Exposure: 1/125 seconds, F stop: f/8, ISO: 200
This is the worst photograph I took during the shoot, the camera settings weren't right due to me not using the light meter straight away, the vignette effect isn't very subtle which ruins the effect of the photograph. Furthermore, the light was hitting the side of the subjects face caused a lot of shadows to show up on the models face and shirt. Overall, I am not very happy with this photograph and I will probably recreate this shoot at a later date.

Exposure: 1/125 seconds, F stop: f/13, ISO: 200
This is the best photograph I took during the shoot, I had used the light meter which told me what to put the camera settings as. In addition, I had moved the model position forwards so that the light wasn't hitting the models face. This improved the photographs immensely. I was very happy with how this turned out as I had to do minimal editing on it to be completely happy, all I did was change the colour balance on the photographs so that there was less redness.

Progression:
During the shoot I didn't place the lights in the right position, this meant that the light was slightly hitting the subjects face, this caused a vignette, I think that this looked quite good at first, however on the third model, I realised that it wasn't coming out as well as I had hoped. I decided to move the seat forwards, this got rid of the vignette effect as well as the lighting on the models faces. Although I liked this shoot, I would like to redo it, checking that the lighting is perfect before I start. In my next shoot I will compare my lighting to a previous high key lighting shoot, this way I will know if anything is wrong before I properly start the shoot. The last three photographs were quite good and you don't see the light shining on the models face like you could in the first three. 
Overall, I think the shoot was a good learning experience, however it didn't come out as planned, so I would like to do this again.

Thursday, 13 October 2016

Essay

Investigation into the effects of age by the medium of photography

Introduction:
We change so much as we age, from being age 7, to age 70. Sometimes we aren't even recognisable ten years later. It is a very interesting subject and mediation tends to form one sided representation, a majority of TV surrounds young adults and middle aged people, rather than elderly people and children. For example, Glee, Friends, and Eastenders. All three of these TV shows are very popular, however they all show a limited amount of diversity.

In Glee, a majority of the characters are young adults from ages 16-25, however, they are almost all played by adults in their mid 20s, even the younger characters. This is an example of low diversity. Although there are older characters in the show, they aren’t main characters and they don’t appear very often in the show.
Also, in Friends, almost all of the characters are young adults with a few middle aged people as well. All of the main characters are in their early twenties when the show starts and their early thirties when it ends. The show isn’t very diverse, other than one of the main characters having a child, there really isn’t very many young children in the show. This show is one of the most popular TV shows in American media, and it doesn’t show much diversity, in both age and in race.
Eastenders is another example of this, however it does a bit better than some of the other examples, it does tend to show mostly adults from about ages 25 - 55. There are quite a few elderly people, although it is definitely a lot less. Furthermore, there are even less children on the eastenders show. 

would like to take photographs of a variety of ages, so that I can show a more diverse range of people. However I may like to focus on a particular age group later in the investigation when I have seen which shoots work best, I may focus on youth as I think that there are more subjects that I can use, so the photographs will have a wider range of subjects.

History and Contextual Study:

History of photography:
Photography began with the pinhole camera, this type of photography goes as far back as the 900's. This camera doesn't have a lens, but instead a very small aperture. It is effectively a light proof box with a small hole in one side. Light from a scene passes through an aperture and projects a photograph on the wall, this is known as the camera obscure effect. 

In 1614, Angelo Sala demonstrated that powdered silver nitrate is blackened by the sun, along with the paper that is wrapped around it. However, when it came to viewing it was difficult to stop the whole page from going black as it was shown in sunlight. 
The first permanent form of photography was invented in the 1820's, although it was very crude. This photograph is from 1826 and was taken by Nicéphore Niépce. Several days of exposure in the camera were required, it was commercially introduced in 1839. The metal based daguerreotype process soon had some competition from paper based calotype negative and salt print processes.
During the first decade of the 21st century, traditional film-based photochemical methods were increasingly marginalised as the practical advantages of the new technology became widely appreciated.

History of portraiture:
Portraiture dates back to the ancient Egyptian age. In the past they were almost always flattering photographs, artists that didn't make flattering portraits tended to find their work rejected.
In the late 19th century and the early 20th century, portraits had a much longer exposure time than they do now, this means that a majority of portraits were taken in deadpan because it was difficult to keep the same expression for minutes at a time, and especially because the photos cost so much to get developed.
Advances in photographic equipment gave photographers the ability to capture images with shorter exposure times and the making of portraits outside the studio.
In recent years, a lot more photographs are taken that are unflattering, as we want to show the reality of humans.

Photographers research:
Julia Margaret Cameron was a photographer during the 19th century, she took unorthodox portraits for the time, she took a lot of photographs with heroic themes and using a soft focus. She intentionally left her camera out of focus, however the photographs also looked like that because of the long exposure times, it was difficult for subjects to keep still.


This photograph portrays innocence as she is a child wearing angel wings, Margaret Cameron saw photography as an art form when many didn't and she was heavily inspired by traditional art. We can see this from the way she poses and dresses her subjects.
The subjects expression is very deadpan although it is also quite a bored expression, this is likely because of the long exposure times they had to sit through, it may have been up to 5 minutes sometimes. In addition to the wings she is wearing, she also has very volumised hair, it almost looks like wind is being blown into her hair.

This photograph is very Arthurian, the clothing the woman is wearing reminds me of a stage show, it definitely looks older than 1800's clothing. The pose doesn't look very comfortable for someone to have to stay in for up to 5 minutes, this is why the focus was so soft, if it was very hard focus then the slight movements would be a lot more noticeable. The majority of the movement is more from the right arm, rather than the left arm which is surprising as she is leaning on the left arm.

Rineke Dijkstra is a photographer that took photographs in the 1990's of teenagers at the beach. The portraits were taken with a low horizon to make the subjects look larger. They also have quite cold lighting in them, she didn't edit the photographs to make them seem warmer, they are very blue. 

This photograph by Dijkstra is of a girl at the beach, she is posed in a position that is heavily inspired by the artwork called The Birth of Venus, the way she is standing with one leg relaxed and her shoulders rolled forward like that is meant to show gracefulness, however in this photograph it just looks uncomfortable. The tan lines on her arms and the messy hair show her imperfections. As well as the sand on her feet which shows that its not as perfect as it is made out to be in the artwork. 
The way the light is hitting the model makes her look a lot brighter than the dark and quite murky looking background, this shows quite a lot of contrast, she is being portrayed as innocent and good, due to the colour of her swimming costume, it looks like she is producing light.

 This photograph isn't very natural looking, the girl is standing with her arms straight at her side, this isn't a natural position for someone to stand in. I think either she has been told to pose like that, or that she feels awkward from having her photograph taken so she is standing very robotically. She is probably only about 13 years old and many 13 year olds don't feel comfortable about how they look so she may be trying to hide the way she looks from the camera. The photographer uses very plain backgrounds for her photographs, there isn't any other people to get distracted by, so no matter how much the girl might hate it, she is going to be looked at as there is so much focus on her and only her.

My Photography:
This photograph is inspired by Rineke Djikstra, this photograph was taken in a similar style as the subject is deadpan like the models in Rineke's photographs. We also both have a similar style in terms of the background, my background is quite plain like hers, although her photograph wasn't taken in the studio, it was taken outdoors at the beach. Another way that this is similar is the facial expression, the model is deadpan like Djikstra's models, this is so that the viewer can see their own emotion on the model, rather than trying to read into what the model is actually feeling. Rineke Djikstra also used this and none of her models are showing much emotion, however this might be because her subjects feel uncomfortable.

This is another photograph inspired by Djikstra. My photograph isn't a full body shot like hers, but this photograph was taken outside in London so the lighting used was natural light. Furthermore, it is quite dark lighting like she uses, the background is quite dark in her photographs and mine is as well. Her full body shots show the body language of the model better, however for my shoot this wasn't important as I wanted to focus on the facial features more so I did a head and shoulders portrait instead. This portrait was also slightly inspired by Thomas Ruff because of his use of deadpan and the portrait size, the images he took were also just head and shoulders.


The Future:
Portraiture as a form of photography is going to change in the future and is changing right now. In recent years, mobile phones have had cameras on them, at first they only had cameras on the back so it was easy to take photographs of other people very quickly, whereas with actual cameras, you would have to change the settings on it to take a good photograph, with a mobile phone you can take photographs that might not be as high quality as the camera, but are still pretty good, in just one click. Then, more recently we have had cameras on the front, so self portraits are very easy to take now. 
Furthermore, we now have apps like Instagram and Snapchat dedicated to photographs and photography, on snapchat, you can put filters on your photographs that edit the way it looks and add text to a photograph. In previous years, if you wanted to do this sort of thing you would have to edit the photographs on photoshop, which can be quite a laborious process.

Conclusion:
To conclude, I think that I would like to carry on focusing on portraits, however I want to just focus on youth portraiture. I really like my deadpan shoots and I want to carry on taking those photographs as I think that they look really good. I want to bring some of the focus to the background of the photograph rather than the subject of the image because my studio portraits turned out so well, I really like this style of portraiture and I think location shoots would bring the focus away from the subject and make the photograph more interesting as it  can tell us a lot about the subject of a image, especially if the subject has something to do with the background, like a school for example. 

Bibliography:
Daniel, M (2004), Julia Margaret Cameron [http://www.metmuseum.org/toah/hd/camr/hd_camr.htm]
Date accessed: 10/11/2016
Woodward, D (2015), Why Julia Margaret Cameron is Photography's Secret Heroine [http://www.anothermag.com/art-photography/7823/why-julia-margaret-cameron-is-photographys-secret-heroine]
Date accessed: 10/11/2016
Date accessed: 10/11/2016